Last week Bono wrote an Op-Ed for the New York Times entitled Notes From the Chairman. I’ve always found Bono to be a surprisingly good writer, and this article is no exception. He reflects on the year that is gone, the times to come, and what it means to be here, now, alive in the turmoil and excitement that is 2009.
He also writes about Frank Sinatra, who I must confess is not my particular brand of vodka. But I do recognize his talent and respect his immense influence on music over the years. And it’s hard to disagree with Bono as he points out the almost eery relevance of a 1963 recording of My Way:
There’s a voice on the speakers that wakes everyone out of the moment: it’s Frank Sinatra singing “My Way.” His ode to defiance is four decades old this year and everyone sings along for a lifetime of reasons. I am struck by the one quality his voice lacks: Sentimentality.
Is this knotted fist of a voice a clue to the next year? In the midst of uncertainty in your business life, your love life, your life life, why is Sinatra’s voice such a foghorn — such confidence in nervous times allowing you romance but knocking your rose-tinted glasses off your nose, if you get too carried away.
A call to believability.
A voice that says, “Don’t lie to me now.”
That says, “Baby, if there’s someone else, tell me now.”
Fabulous, not fabulist. Honesty to hang your hat on.
As the year rolls over, the emotion in the room tussles between hope and fear, expectation and trepidation. Wherever you end up, his voice takes you by the hand.
I’ve sensed for some time now what I think is probably a slow end to post-modern thinking. A rejection of relativism, and a renewed sense of longing for truth and authenticity in our lives. I agree with Bono here – this is is probably what 2009 will bring us.
Bono continues to discuss a relatively obscure recording of One for My Baby (and One More for the Road), off the 1993 Duets album, and what happens when a voice allows itself to be brutally honest:
If you want to hear the least sentimental voice in the history of pop music finally crack, though — shhhh — find the version of Frank’s ode to insomnia, “One for My Baby (and One More for the Road),” hidden on “Duets.” Listen through to the end and you will hear the great man break as he truly sobs on the line, “It’s a long, long, long road.” I kid you not.
Like Bob Dylan’s, Nina Simone’s, Pavarotti’s, Sinatra’s voice is improved by age, by years spent fermenting in cracked and whiskeyed oak barrels. As a communicator, hitting the notes is only part of the story, of course.
It was difficult to find this version of the song, but I finally tracked it down – you can listen to it below. And even though I’m still pretty certain that it’s not the type of music I like to listen to, the emotion is amazing and real and touching. Follow Bono’s advice and listen all the way to the end…
One for My Baby (and One More for the Road) by Frank Sinatra:
As much as I love complex and edgy music, sometimes you just need to rock out. If you get this itch every once in a while too, then this post is for you. You probably haven’t heard about the band Motor Ace before, for two reasons:
They’re Australian, and let’s face it, Australia hasn’t given us anything since Kylie Minogue (thanks for nothing, by the way) and Midnight Oil (YES! “Beds are burning” is the best song of the 80s!!).
They broke up a few years ago.
But their legacy and cult following are still very much alive. It’s hard to find winners in the genre of simple guitar-driven rock. Daughtry and Nickleback have certainly tried, but they too often just end up sounding generic and boring. Motor Ace is different. Their music hits you in the face with unapologetic power chords, smart lyrics, and just enough experimentation to keep you guessing and keep the albums playing on repeat.
Below I’ve provided samples of 2 of the songs from their album Five Star Laundry. If you like it, I encourage you to buy both albums (you’ll have to buy the actual CDs – crazy, I know! – because this isn’t available on iTunes or Amazon MP3). Five Star Laundry (Buy from Amazon) is the raw debut with songs that border on being careless, but that’s what makes it fun. The follow-up album Shoot This (Buy from Amazon)is much more refined (and some would say less real and too radio-friendly). Enjoy!
Long after I should have gone to bed last night, I was sucked in again by Coldplay’s performance on VH1 Storytellers. It occured to me again how they just instinctively get what music is all about. And yes, maybe they take it too far sometimes – their music is pure, over the top emotion, designed to lift you up like you’re flying, or crush you into the ground, depending on the song. Any emotional response will do, as long as it’s not apathy.
But isn’t that what most good art is about? Isn’t it supposed to exaggerate our emotions artificially to help us recognize them more easily the next time we just walk down the street? I believe so. So I say to Coldplay: please continue to play with my emotions. I accept it willingly.
As an example, check out this live version of Fix You:
As I was watching Mamma Mia! a few nights ago (and enjoying it immensely – much to my wife’s dismay) I was struck again by the power of sound and smell to trigger our best – and sometimes our worst – memories. After the movie, I was left with a deep, satisfying sense of nostalgia that couldn’t possibly have been because of Meryl Streep’s dance moves. No, there had to be something else behind it. And that got me thinking…
Vacations are sacred, magical times when you are young. For me they came in two varieties. Summer vacations were comforting and consistent: two weeks in the same beach town, year after year, meant for sun, ocean, and the endless highs and lows that come with growing up in the carefree summer bubble of South African beaches (highest high: taking and surviving the most dangerous of waves; lowest low: well, failed romances, of course).
But winter vacations were something completely different. Where summer vacations were all about resting in the known with the same beach community year after year, winter vacations were about long road trips exploring the unknown, endless hours on the road, together as a family, no outsiders allowed. Where summer vacations were for being as useless as possible, winter vacations were for adventure and growing our increasingly inquisitive minds. And what I remember most about winter vacations is how they always got started: very very VERY early.
My Dad was all about hitting the road at 5am. Just on the first day of vacation, mind you – the rest of the time we didn’t have quite such a strict schedule. He would say it’s about being practical – getting out of the city before traffic picks up, or making sure we hit a certain town before sundown. But I think it was about more than that. I think he liked being on the open road with his family sleeping in the car, the excitement and endless possibility of driving in a new direction under the cover of darkness. Always an explorer at heart, it is one of the strongest senses I inherited from him, and a tie between us that remains unspoken but fully understood. I now think about the many times I had left home – not necessarily in physical darkness, but always with an uncertainty that felt pretty dark to me – and I know that as much as he would have wanted me to stay in town, he understood what I had to do. He understands.
So, at 5am we would all complain and pretend to be upset as we got up and had breakfast, we’d throw our things in my dad’s ancient light-green Mercedes – more of a boat than a car, but an extremely comfortable boat to sleep in – and be on our way. Lying in the back seat of that old car in the pre-dawn hours, pretending to sleep but too excited to do so, is one of my fondest memories. I would imagine where we would be by the time the sun came up. Of course I’d studied the map extensively in the weeks before we left, so I knew exactly where we were going. But what would it look like? Where would we sleep tonight? It might be those moments that transformed me into a serial traveler, always looking for the next place to explore. And the image I have of those times is still as fresh as if it happened yesterday: the roof of the Mercedes was lined with a synthetic that had tiny holes in them, very close together, and if you stared at it just right, it would turn into a 3D image that seemed to come out of the roof, close enough to touch, like tiny stars. The road and the car were quiet. But my mind was racing. And as fast as my mind was going, I’m pretty sure my Dad was thinking only one thing behind the wheel: this is what I live for.
Of course, it wasn’t all fun and games. My brother is 9 years older than I am, and if you spend that much time on the road, the fights are going to be plentiful and not so far between. I can’t remember much about those fights, but I do remember what was usually the only thing that could break them up – music. But that wasn’t easy either. Music is serious business in my family. And on long road trips, we broke into 2 clearly defined factions. My parents preferred talk radio or classical music. My brother and I preferred something a little more youthful (for the time): Neil Diamond, Chris de Burgh, Cat Stevens. Sometimes my parents won, and sometimes my brother and I won. But then there was the one band we could all agree to listen to. ABBA. Civilized enough to suit my parents, enough drums and fake electric guitar to suit my brother and I. Oh, ABBA. We would listen to those tapes until they were worn completely through. We would sing along and forget about all our disagreements – in fact, I would venture to say that ABBA became the defining music of our family vacations.
I’m sure you know where I’m going with this. Watching Mamma Mia! is not about the movie at all. It is about a childhood’s worth of memories flooding over me all at once like water through a burst dam, and the emotion that comes with it. We all have these memories, and they’re triggered by different things – the smell of freshly-cut grass, hearing a jingle from an old TV commercial, a song that played at your high school graduation. You know how it feels.
And it reminds me again of how closely connected we are through our memories, how that which is most personal is most universal, how our humanity and our joy is tied up in the way we were and how that shapes the way we are and can be. And since this is Christmas time and my family is an ocean away, it reminds me of bonds that cannot be broken, bonds strengthened by time together and not broken by time apart. Of traditions we pass on to the new families we create out of nothing, and the bonds that exist not just among us but also with generations past.
And most of all, it reminds me that life is good because of the people we love. So during this time of family and being together, give a little extra love, and maybe start a tradition. Because who knows, generations from now your great-grandson might hear an “old” song from 2008 and be struck silent by a flood of memory you helped create. And so we live on through the people we love.
I’m a little late in writing about our trip to New York City in October, but hey, it’s been a crazy year. Anyway, better late than never. So, it was our first trip to New York – Jess hasn’t been there either, so it was great to experience it all together. The city is, of course, amazing. What’s interesting is that we didn’t completely love it. It was great to see all the sites and experience the immense energy of it all, but after a few days it just became too claustrophobic. I guess that’s what happens if you grow up in a small town… Below are some images from the experience.
We were in for a huge surprise on the first night. We were just walking around, and stumbled on Radio City Music Hall – it’s a world famous venue for live music and a place where I’ve always wanted to see a show. Well, Death Cab For Cutie was playing that night, and while I was taking photos of the outside building, a couple came up to us offering up free tickets to the show. She is pregnant and didn’t want to deal with the loud music. Thank you very much!! It was a fantastic show, and turned me into a full-blown, totally obsessed fan of Death Cab…
We spent the next few days being tourists, going to all the sites. Here are some highlights:
Done with sightseeing, we went about the business of doing fun things and generally being dorks… First, up, SPAMALOT! Followed by a stop at the Today Show…
After a couple of weeks listening to the mellow perfect-for-Sunday-nights One Cell In The Sea by A Fine Frenzy, I still can’t stop listening to it. Beautiful voice, stunning melodies, simple musicality. Love it. You can listen to some clips below, and also buy it on Amazon MP3.
I was rudely awakened from a very peaceful Sunday afternoon nap on the couch when Jess burst out into the kind of uncontrollable laughter she usually reserves for her favorite scenes in “The Office”. I was going to be all mad about it, until she showed me what was going on. She found a site dedicated to professional cakes gone wrong, and I have to tell you that it is hilarious and now another one of my favorites.
You have to head over to http://cakewrecks.blogspot.com and check it out for yourself, but here is just one of the many gems you’ll find there:
I have to share one of my new favorite blogs with you. The “Blog” of “Unnecessary” Quotation Marks is dedicated to finding signs where quotation marks are used incorrectly, usually with pretty funny consequences, like the ones below:
I guess “non-toxic” is used loosely in this case? And how is someone in “Labor” — is that for fakers??
This is a personal pet peeve of mine (along with incorrect usage of the apostrophe), so I am eternally grateful to this blogger for her dedication. It makes me feel better. Ok, here are a couple more, because I can’t help myself:
